As Cunegonde, Toronto Opera Festival Gala
"Bernstein’s “Glitter and Be Gay” [. . .] was sung with power, expressivity and killer coloratura by Kate Fogg."
John Gilks, Opera Ramblings
As Cunegonde, Toronto Opera Festival Gala
"Bernstein’s “Glitter and Be Gay” [. . .] was sung with power, expressivity and killer coloratura by Kate Fogg."
John Gilks, Opera Ramblings
In Elegies, Toronto Opera Festival 2025
"Kate Fogg showed that she can belt as well as she handles coloratura in several numbers including the very silly duet, “Dear Reader.”
John Gilks, Ma Scena
As Clara Johnson in The Light In The Piazza
"Kate Fogg [. . .] delivered a gripping and beautiful rendition of Clara, a young woman who suffered a brain injury as a child, limiting her emotional and mental development. Fogg’s gentle yet brilliant voice encapsulated the dichotomy between Clara’s youthful demeanour and the fierce emotions that burgeon as she embarks on a life for herself without her mother.
Alexandra Lasser, The Tribune
As La Fée in Cendrillon
"Impossible, obviously, not to notice Kate Fogg. The role of the fairy is always spectacular when it is played well by a solid and comfortable coloratura soprano. The voice is impeccably placed, safe and effective. "
Christophe Huss, Le Devoir
"The scenes featuring [Kate Fogg] are breathtaking, both for their magical scenography and for the interpreter’s high-quality performance."
Elena Mandolini, PAN M 360
"Kate Fogg, a diminutive performer with a big voice, was a standout as her Mary caught the court’s attention."
Steve Fenny, Portland Press Herald